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Program

Against the backdrop of New York’s dazzling fashion scene, a woman in the process of transforming herself from a model into a designer is forced to live with her husband’s ex-wife when he disappears without a trace.

Country:
Germany, 2017
Group:
Focus Europe
Duration:
110’
Director:
Margarethe von Trotta
Screenplay:
Pamela Katz
Cast:
Ingrid Bolsø Berdal, Katja Riemann, Lucie Pohl
Festivals:
2017 Tokio, Keln / Tokyo Film Festival, Film Festival Cologne
Filmografija (selection) (izbor):
2017 Forget about Nick / Zaboravi na Nika
2012 Hannah Arendt / Hana Arent 
2003 Rosenstrasse
1995 Das Versprechen / The Promise 
1988 Fürchten und Lieben / Love and Fear
1986 Rosa Luxemburg 
1981 Die bleierne Zeit / Marianne & Juliane / Nemačke sestre
1978 Das zweite Erwachen der Christa Klages / The Second Awakening of Christa Klages / Drugo buđenje Kriste Klage
1975 Die verlorene Ehre der Katharina Blum / The Lost Honour of Katharina Blum / Izgubljena čast Katarine Blum
Cinematography:
Jo Heim
Editing:
Christian Krämer
Music:
Helmut Zerlett
Producer:
Bettina Brokemper
Production:
Heimatfilm
Distributer:
MCF MegaCom Film

Showing

01Mar

Time: 17:00
Price: 300 RSD
Cinegrand - Capitol Park Rakovica, sala 1

03Mar

Time: 22:30
Price: 340 RSD
Dom omladine

Margarethe von Trotta was born in Berlin in 1942. In the 1960s she moved to Paris where she worked for film collectives, collaborating on scripts and co-directing short films. She also pursued an acclaimed acting career, starring in films by well known German directors such as Rainer Werner Fassbinder, and Volker Schlöndorff. She co-wrote many of the scripts for his films, and in 1975 she and Schlöndorff co-directed The Lost Honor of Katharina Blum. In 1977, von Trotta directed her first solo feature The Second Awakening of Christa Klages. With her third film, Marianne & Juliane, von Trotta's position as New German Cinema's most prominent and successful female filmmaker was fully secured. 

… What ensues is an odd couple comedy with something of a trendy metropolitan twist. This is the sort of stylishly furnished production that bases a running gag around a garish post-modern artwork…

David Pountain, Film Doo

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