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Program

Burning tells the story of three individuals and a mysterious incident they experience. Jongsu bumps into an old friend, Haemi, on a part-time delivery job. Haemi asks Jongsu to take care of her cat while she leaves on a trip to Africa. When she returns, Haemi introduces Jongsu to Ben, a man she met in Africa. One day, Ben and Haemi pay Jongsu a visit, and Ben reveals his secret interests to Jongsu.

Country:
South Korea, 2018
Group:
FEST 47
Duration:
148'
Director:
Lee Chang-Dong
Screenplay:
Jungmi Oh, Chang-Dong Lee
Cast:
Ah-in Yoo, Steven Yeun, Jong-seo Jun, Soo-Kyung Kim, Seung-ho Choi
Festivals:
2018 Kan / Cannes Film Festival
Filmography:
2018 Beoning / Burning / Izgaranje
2010 Shi / Poetry
2007 Milyang / Secret Sunshine / Tajni zrak
2002 Oasiseu / Oasis
1999 Bakha satang / Peppermint Candy
1997 Chorok mulkogi / Green Fish
Cinematography:
Kyung-pyo Hong
Editing:
Da-won Kim, Hyun Kim
Producer:
Chang-dong Lee, Gwang-hee Ok, Joon-dong Lee
Production:
Pine House Film, NHK
Distributer:
MCF MegaCom Film
 

Showing

25Feb

Time: 22:00
Price: 400 RSD
KOMBANK DVORANA, sala 1

26Feb

Time: 14:30
Price: 300 RSD
KOMBANK DVORANA, sala 1

27Feb

Time: 19:30
Price: 350 RSD
Jugoslovenska kinoteka, Makavejev Hall

28Feb

Time: 17:00
Price: 300 RSD
Fontana

03Mar

Time: 22:00
Price: 400 RSD
Dvorana Kulturnog centra

Lee Chang-dong (1954) is a South Korean film director, screenwriter, and novelist. He has directed six feature films: Green Fish, Peppermint Candy, Oasis, Secret Sunshine, Poetry and Burning. Lee has won Special Director's Award at the 2002 Venice Film Festival and the Best Screenplay Award at the 2010 Cannes Film Festival. He has also been nominated for the Golden Lion and the Palme d'Or. Lee served as South Korea's Minister of Culture and Tourism from 2003 to 2004.

The film paints vivid portraits of three distinct characters and inspires sympathy with a bewildered protagonist; moreover, it depicts a particular social milieu in such a way that one comes to see it as existing beyond the subjects' control.

Ben Sachs, Chicago Reader     

 

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