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Program

Sam, intelligent but without purpose, finds a mysterious woman swimming in his apartment's pool one night. The next morning, she disappears. Sam sets off across LA to find her, and along the way he uncovers a conspiracy far more bizarre.

Country:
USA, 2018
Group:
Fest presents
Duration:
139’
Director:
David Robert Mitchell
Screenplay:
David Robert Mitchell
Cast:
Andrew Garfield, Riley Keough, Topher Grace
Festivals:
2018 Kan, Nojšatel, Sidžes / Cannes Film Festival, Neuchâtel International Fantastic Film Festival, Sitges Catalonian Internatio
Filmography:
2018 Under the Silver Lake / Tajna srebrnog jezera
2014 It Follows / To dolazi 
2010 The Myth of the American Sleepover 
Cinematography:
Michael Gioulakis
Editing:
Julio C. Perez IV
Music:
Richard Vreeland
Producentis:
Michael De Luca, Chris Bender, Jake Weiner, Adele Romanski, David Robert Mitchell
Produkcija:
Michael De Luca s, Good Fear Film, Pastel
Distribucija:
Blitz
Awards:
2018 Neuchâtel International Fantastic Film Festival - Denis-de-Rougemont Youth Award (David Robert Mitchell); Sitges Catalonian International Film Festival - José Luis Guarner Critic’s Award (Special Mention - David Robert Mitchell)

Showing

25Feb

Time: 22:30
Price: 400 RSD
Cineplexx UŠĆE Shopping Center, sala 5

26Feb

Time: 20:30
Price: 400 RSD
Cineplexx 4D Delta city, sala 6

27Feb

Time: 17:30
Price: 400 RSD
Dom omladine

28Feb

Time: 14:30
Price: 300 RSD
Jugoslovenska kinoteka, Makavejev Hall

David Robert Mitchell (b. 1974) is an American film director and writer. He graduated from Florida State University with an MFA in Production. He started getting recognition after directing his second feature, the horror film It Follows. His latest film Under the Silver Lake was premiered in the competition programme of the Cannes Film Festival 2018.

Under the Silver Lake is a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids.

Owen Gleiberman, Variety

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