A story about artist and activist Nan Goldin, told through her groundbreaking photography and rare footage of her fight to hold the Sackler family accountable for the opioid crisis.
- Country:
- USA, 2022
- Genre:
- Dokumentarni
- Group:
- Gala
- Duration:
- 113’
- Director:
- Laura Poitras
- Screenplay:
- Cast:
- Nan Goldin, David Armstrong, Marina Berio, Neomi Bonazzi, Harry Cullen…
- Festivals:
- 2022 – Venecija, Toronto, Cirih, Atina, Njujork, London, Beč, Čikago, Filadelfija, Talin / Venice Film Festival, Toronto International Film Festival, Zurich Film Festival, Athens International Film and Video Festival, New York Film Festival, London Film Festival, Vienna International Film Festival, Chicago International Film Festival, Philadelphia International Film Festival, Tallinn Black Nights Film Festival 2023 – Palm Spring, Helsinki / Palm Springs International Film Festival, DocPoint Helsinki Documen
- Cinematography:
- Nan Goldin
- Editing:
- Amy Foote, Joe Bini, Brian A. Kates
- Music:
- Soundwalk Collective, Dawn Sutter Madell
- Producers:
- Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov, Laura Poitras
- Production:
- Praxis Films, Participant, HBO Documentary Films
- Distributer:
- MCF MegaCom Film
Showing
Time: 22:30
Price: 500 RSD
MTS dvorana, Hall 1
Time: 12:00
Price: 300 RSD
MTS dvorana, Hall 1
Time: 20:00
Price: 500 RSD
Dom omladine
Time: 22:00
Price: 500 RSD
Cineplexx UŠĆE Shopping Center, Hall 1
LAURA POITRAS
Laura Poitras (1964) is a documentary filmmaker who won an Academy Award for Best Documentary Feature for Citizenfour (2014). She won an Independent Spirit Award for My Country, My Country (2006).Those two films together with the part The Oath (2010) make the trilogy titled “The New American Century,” about post-9/11 America. Poitras is the recipient of a Guggenheim Fellowship and Peabody Award. She lives in New York City and teaches documentary filmmaking at Yale University.
Reveiws:
What’s profound, and incendiary, about All the Beauty and the Bloodshed is the way that Laura Poitras excavates the story of how deeply Nan Goldin’s photographs are rooted in trauma.
Owen Gleiberman, Variety
Poitras has a point of view, she has passion, she has politics, and there never was any danger of her both-siding this raw, emotionally ferocious story.
Manohla Dargis, The New York Times
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