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Program

A story about artist and activist Nan Goldin, told through her groundbreaking photography and rare footage of her fight to hold the Sackler family accountable for the opioid crisis.

Country:
USA, 2022
Genre:
Dokumentarni
Group:
Gala
Duration:
113’
Director:
Laura Poitras
Screenplay:
Cast:
Nan Goldin, David Armstrong, Marina Berio, Neomi Bonazzi, Harry Cullen…
Festivals:
2022 – Venecija, Toronto, Cirih, Atina, Njujork, London, Beč, Čikago, Filadelfija, Talin / Venice Film Festival, Toronto International Film Festival, Zurich Film Festival, Athens International Film and Video Festival, New York Film Festival, London Film Festival, Vienna International Film Festival, Chicago International Film Festival, Philadelphia International Film Festival, Tallinn Black Nights Film Festival 2023 – Palm Spring, Helsinki / Palm Springs International Film Festival, DocPoint Helsinki Documen
Cinematography:
Nan Goldin
Editing:
Amy Foote, Joe Bini, Brian A. Kates
Music:
Soundwalk Collective, Dawn Sutter Madell
Producers:
Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov, Laura Poitras
Production:
Praxis Films, Participant, HBO Documentary Films
Distributer:
MCF MegaCom Film

Showing

24. Feb

Time: 22:30
Price: 500 RSD
MTS dvorana, Hall 1

25. Feb

Time: 12:00
Price: 300 RSD
MTS dvorana, Hall 1

25. Feb

Time: 20:00
Price: 500 RSD
Dom omladine

27. Feb

Time: 22:00
Price: 500 RSD
Cineplexx UŠĆE Shopping Center, Hall 1

LAURA POITRAS

Laura Poitras (1964) is a documentary filmmaker who won an Academy Award for Best Documentary Feature for Citizenfour (2014). She won an Independent Spirit Award for My Country, My Country (2006).Those two films together with the part The Oath (2010) make the trilogy titled “The New American Century,” about post-9/11 America. Poitras is the recipient of a Guggenheim Fellowship and Peabody Award. She lives in New York City and teaches documentary filmmaking at Yale University.

Reveiws:

What’s profound, and incendiary, about All the Beauty and the Bloodshed is the way that Laura Poitras excavates the story of how deeply Nan Goldin’s photographs are rooted in trauma.

Owen Gleiberman, Variety

 

Poitras has a point of view, she has passion, she has politics, and there never was any danger of her both-siding this raw, emotionally ferocious story.

Manohla Dargis, The New York Times

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